By Jonathan Nichols-Pethick
The police drama has been one of many longest working and hottest genres in American tv. In TV Cops, Jonathan Nichols-Pethick argues that, maybe greater than the other style, the police sequence in all its manifestations—from Hill road Blues to Miami Vice to The Wire—embodies the entire variety of the cultural dynamics of tv.
Exploring the textual, commercial, and social contexts of police exhibits on American tv, this publication demonstrates how polices drama play an essential function within the approach we comprehend and interact problems with social order that almost all folks in a different way event merely in such abstractions as legislation and crime statistics. And given the present diffusion and recognition of the shape, we'd ask a few questions that deserve severe severe recognition: below what situations have tales concerning the police proliferated in pop culture? What functionality do those tales serve for either the tv and its audiences? Why have those tales turn into so commercially possible for the tv specifically? How do tales concerning the police support us comprehend present social and political debates approximately crime, concerning the groups we are living in, and approximately our identities as citizens?
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